Summoning all his courage, he sets out again. Victor is moved to tears at the site of his native city, since his estrangement from it has been so prolonged. Despite his joy at being reunited with Geneva, his fear returns. He arrives at night, in the midst of a severe thunderstorm. Suddenly, a flash of lightning illuminates a figure lurking among the skeletal trees; its gigantic stature betrays it as Frankenstein's prodigal creature.
At the sight of the "demon," Victor becomes absolutely certain that he is William's murder: only a monster could take the life of so angelic a boy. Victor longs to pursue the creature and warn his family of the danger he represents. He fears that he will be taken for a madman if he tells his fantastic story, however, and thus resolves to keep silent. At the Frankenstein estate, Victor is greeted with a certain melancholy affection. His brother, Ernest, relates a piece of shocking news: Justine, the family's trusted maidservant, has been accused of William's murder.
The missing locket was found on her person on the night of the murder.
The family -- particularly Elizabeth -- passionately believes in her innocence, and avers that their suffering will only be magnified if Justine is punished for the crime. They all dread Justine's trial, which is scheduled to take place at eleven o'clock on the same day. The account of William's death is written in highly disjointed language: the sentences are long, and frequently are interrupted by semicolons, as though each thought is spilling into another. This indicates the magnitude of the distress felt by the narrator's father as he writes. Letters, in general, play a central role in the novel: it begins and ends with a series of letters, and many important details of plot and character are related through them.
They enable Shelley who has, for the most part, committed herself to Victor's first-person narration to allow the voices of other characters to interrupt and alter Victor's highly subjective account of the novel's events. Victor's reaction to the letter reveals a great deal about his character. Though he is wracked with grief, his thoughts soon turn to his own anxiety at returning to his home after so long an absence.
His self-absorption begins to seem impenetrable to the reader. Victor's uneasiness also foreshadows the moment of horror that greets him at Geneva; the reader has come to share his distress, and is thus as horrified as he by what the lightning illuminates. The lightning storm that greets Victor is a staple of Gothic narrative.
Though William's murder is described as taking place on an idyllic day in spring, it is chill and stormy when Victor arrives shortly thereafter.
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Upon seeing the creature through Frankenstein's eyes, the reader is inclined to jump to the same conclusion that he does. Victor's hatred of the creature reaches an almost hysterical pitch in this scene, as is indicated by his diction: he refers to his creation as a "deformity," a "wretch," a "filthy demon.
The reader is thus made subtly complicit with the creature's outcast state. Victor's decision to keep the monster's existence a secret in order to preserve his reputation reveals him as both selfish and foolhardy. A child has been killed, and a monster brought to life: in a world so severely out of balance, Frankenstein's reputation ought be the furthest thing from his mind.
The trial commences the following morning. Victor is extremely apprehensive as to what the verdict will be: he is tortured by the thought that his "curiosity and lawless devices" will cause not one death, but two. He mournfully reflects that Justine is a girl of exceptional qualities, destined to lead an admirable life; because of him, her life will be cruelly foreshortened.
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Victor briefly considers confessing to the crime, but realizes that, as he was at Ingolstadt on the night of the murder, his confession would be dismissed as the ravings of a madman. In court, Justine stands calmly before her accusers; her solemn face lends her an exquisite beauty. The prosecutor brings forth a number of witnesses, who provide compelling evidence against her: she was out for the whole night on which the murder was committed; she was seen near to the spot where the body was found; when questioned, she gave a confused and unintelligible answer; and she became hysterical at the sight of William's body.
The most damning piece of evidence, however, is the fact that William's miniature, which he had been wearing at the time of the murder, was found in the pocket of Justine's dress. Upon hearing of William's disappearance, she spent several hours searching for him; unable to return home, as it had grown too late, she determined to spend the night in a nearby barn.
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Justine says that if she was near the body, she did not know it; her confusion was only a manifestation of her tiredness. She remains unable to explain how the picture came to be on her person; she can only assume that the murderer himself placed it there. Though few witnesses are willing to come forth to aver Justine's innocence, Elizabeth insists on speaking on the girl's behalf.
She praises Justine's character, and says that she was beloved by the entire Frankenstein family; Elizabeth, for he part, will never believe that Justine is guilty. Despite this brave display of loyalty, Justine is condemned to death. Shockingly, Justine confesses to the murder, and expresses a wish to see Elizabeth, who asks Victor to accompany her. Justine tells them that she confessed to a lie in order to obtain absolution and avoid excommunication in her last moments.
She does not fear death, and nobly spends her last moments in comforting Elizabeth and Victor. This only serves to heighten Victor's anguish, and he reflects that Justine and William are the first victims of his "unhallowed arts. The minute attention paid to Justine's appearance, history, and speech only serves to heighten the sympathy felt by the reader. This note of happiness sends Victor into a fit of joy, knowing that his creation is no longer there.
Victor falls in an uncontrollable attack of exhaustion and stress. Occasionally, Victor, in his delirium, talks about the monster, causing Henry to think that the stress is causing him to be incoherent. I'm Stephanie.
Frankenstein – How Does Shelley Create a Sense of Horror in Chapter 5? Essay Sample
Would you like to get such a paper? How about receiving a customized one? Skip to content Summary Victor succeeds in bringing his creation, an eight-foot man, to life in November of his second year. Summary and Analysis Chapter 4.
Chapter 5 Notes from Frankenstein
Summary and Analysis Chapter 6. Shelley includes Dr. However in all texts, one element prevails; that is that the journey is of greater significance than the arrival. It is those journeys that transcend reality, inspire an intellectual quest, challenge previously held conceptions and comment on society that are explored in texts such as Melvyn Bragg's On Giant's Shoulders, The Jaguar by Ted Hughes, Frankenstein by Mary Shelley and Journeys Over Land and Sea from the Smithsonian Libraries Exhibition.
In all of. Frankenstein by Mary Shelley In the Gothic novel Frankenstein, Mary Shelley integrates the rhetorical devices figurative language, imagery, and tone to impart the concept that the desire to acquire knowledge and emulate God will ultimately result in chaos and havoc that exceeds the boundaries of human restraint. Life of Mary Shelley 1. Eleven days after Mary Shelley's birth, her mother, the famed author of A Vindication. Famous writer, Mary Shelley was born in London in She was the daughter of writer William Godwin and Mary Wollstonecraft.
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At 19, she married poet Percy Shelley, who she married in Together, Mary and Percy had five children, but only one survived past childhood. This tragedy, along with the early death of her mother influenced Mary Shelley's theme linking creation with death.
She started to write Frankenstein at the age of 18, completing it in less than a year. She said the idea came to her in a dream, and dreams are …show more content…. The character Frankenstein, for example, watches the DeLacey family, learning about their way of life and about their past. When he visits Mr DeLacey, he is chased out by the rest if the family because of his grotesque appearance.