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Jan 09, Will Lashley rated it really liked it. I read it fifteen years ago but still think about the ideas in it quite a bit, and was reminded of it recently when I had a rambling conversation with a rock drummer from Hampshire about the sound environment of the New Forest, psychoacoustics, groove-as-composition, and Acoustic Ecology. Keil brings a fresh perspective to music like polka and the blues, and music as participation. If rhythm is your thing, this book provides a great deal of food for thought. Dana rated it it was amazing Feb 21, Mike Hackett rated it it was amazing Oct 05, Ely Rosenblum rated it it was amazing Mar 20, Ted rated it really liked it Oct 19, Bret rated it really liked it Sep 27, Cblehart rated it it was amazing Jan 31, Ethan rated it it was amazing Jul 09, Abigail rated it did not like it May 09, Sylvia Detar rated it it was amazing Jul 20, Kyle rated it really liked it Apr 22, Bill Benzon rated it it was amazing Aug 02, Meesh rated it it was ok May 01, Chris Meloche rated it really liked it Aug 27, Neil R.
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Coulter rated it really liked it Aug 04, Molly Mcbride rated it really liked it Nov 05, Mike Silvers added it Mar 21, Traczie marked it as to-read May 14, Steve added it Jun 13, Jason P marked it as to-read Jul 17, Danielle marked it as to-read Aug 07, Blake Scott marked it as to-read Nov 05, Mark Lomanno marked it as to-read Apr 12, Giuliano B added it Sep 25, Ted marked it as to-read Oct 04, Mike Woodward marked it as to-read Feb 16, Tony Dumas marked it as to-read Mar 17, Chikpah marked it as to-read Sep 11, Stephanie Salerno added it Mar 23, Kate Metcalf marked it as to-read Apr 17, Isabel marked it as to-read Jul 26, Busch marked it as to-read Jul 27, Nick is currently reading it Sep 16, Review by Yoshitaka Terada.
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